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Music and Space: A systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of ... and the Arts / Nature, Science et les Arts) de Dorothea Baumann

Descripción - Reseña del editor This book explores a paradox: how can a musical work that was written specifically for a certain architectural space 'survive' dramatic changes in performance conditions, as in the case of Handel's Messiah? From the chamber music hall in Dublin where it was first performed in 1742, small baroque theaters, and the chapel of London's Foundling Hospital, performances of Messiah after Handel's death moved to cathedrals, to new and large 19th-century concert halls, and finally to the immense Crystal Palace in Sydenham. Are there boundaries determining an adequate performance? How can we define the quality of room acoustics and how does this quality affect the performance as actual sonorous presentation of a musical work? In short, how do different acoustical conditions affect basic aesthetic premises? There are no simple answers to these complex questions, which elicit different responses according to varying points of view. This aspect of cultural history necessarily calls for an investigation based on systematic, historical, and psychological methods. In the first part of this book, which draws from an extensive database of documents on halls, theatres, and churches, essential concepts from the main disciplines involved are introduced in order to define quality of room acoustics in relation to different performance situations. This background then serves as framework to investigate the performance history of Handel's Messiah in the second part. Biografía del autor Dorothea Baumann, Privatdozentin Dr., teaches musicology at the University of Zurich, where she studied musicology, physics and German literature, received her PhD and completed her habilitation in musicology. Her groundbreaking research on the relation between room acoustics and performance practice has appeared in numerous journals and reference works of international scope. Likewise, she contributed core writings on the Italian Trecento. Baumann has held teaching positions at the University of Berne, the Department of Architecture of the Swiss Federal Institute of Technology in Zurich (guest lectures), and was visiting professor at the University of Innsbruck and at the Graduate Center, City University of New York.

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Detalles del Libro

• Name: Music and Space: A systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of ... and the Arts / Nature, Science et les Arts)
  
• Autor: Dorothea Baumann
  
• Categoria: Libros,Arte, cine y fotografía,Música
  
• Tamaño del archivo: 13 MB
  
• Tipos de archivo: PDF Document
  
• Idioma: Español
  
• Archivos de estado: AVAILABLE
  

Descargar Music and Space: A systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of ... and the Arts / Nature, Science et les Arts) de Dorothea Baumann libros ebooks

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Relationsinarchitecturalspacerapit_vol1 abstraction relations in architectural space chapter four the traditional thai houses and temples 117 41 theoretical and historical background 117 42 domestic life mside architectural space 131the selected conventional thai houses 136the selected contemporary thai houses 142 43 religious life inside architectural space 148the selected conventional thai temples 162the selected contemporary thai Books recently published free online library baumann, dorothea music and space a systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of handels messiah bern new york peter lang, 2011 xxiii, 417 p 1 cd isbn 9783034306157 isbn 3034306156 lc 2011041542 Emily_thompson_the_soundscape_of_modernity_architectural in 1902, he embarked upon a study of the accuracy of musical taste in regard to architectural acoustics, declaring this problem fundamental to any future work, for unless musical taste is precise, the problem, at least as far as it concerns the design of the auditorium for musical purposes, is indeterminate149 sabine divided the subject of architectural acoustics into two distinct lines