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Sixteen Cantigas de Santa Maria: With Dotted Rhythm de Martin G. Cunningham

Descripción - Reseña del editor The Cantigas de Santa Maria, a collection of over 400 songs praising the Virgin Mary and narrating her miracles, constitutes one of the most important collections of vernacular songs ('vernacular' in this case being Galician) to survive with their music from before 1300. The collection was assembled at the direction of Alfonso X 'The Learned', king (1252-84) of Castile and Leon, who may also have composed some of the texts and even melodies. The musical notation in the three surviving musically-notated manuscripts conveys the melodies without diffuculty to a modern reader. However, some aspects of rhythmic inter-pretation (i.e. the relative duration of the notational symbols, of which there are over 150) are still a matter for debate. A further important aspect is that the earliest form in which the corpus was put together-known as the 'Toledo codex', which contains about a third of the eventual repertoire-is encoded in a different (arguably earlier) form of musical notation. Almost all the pieces included for study in this volume survive in two different notational systems, to the advantage of the process of decipherment. This investigation takes as its corpus the first layer of notated cantigas, essentially those that survive in 'Toledo notation,' although the notation of all sources is considered. This allows the differing notational codes to be compared, and valuable information to be extracted. What emerges from detailed analysis is a group of sixteen pieces, all making use of the same specific notational procedure for notating dotted rhythms in the absence of a half-beat symbol. Of the sixteen cantigas, eleven occur in the first 100 pieces, thus nearly quadrupling any previous estimate of the presence of pieces with dotted rhythm. In the analysis accompanying each piece, particular emphasis is laid on the correspondence of musical and textual stress, as well as on features such as regularity of musical phrase-lengths. The edited cantigas are embedded in the discussion and analysis, but are laid out as self-standing performing editions of the pieces concerned. An Appendix provides full editions of the original Galician texts-a feature not generally encountered in musical editions of the Cantigas-and full English translations. There are brief notes on syllable-division and word-stress for the help of performers. [Subject: Music Studies, Cantigas, Religious Studies, Catholicism, Medieval Studies]

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16 cantigas de santa maria cunningham, martin 16 cantigas de santa maria cunningham, martin g fremdsprachige bücher zum hauptinhalt wechseln prime entdecken de hallo anmelden konto und listen anmelden konto und listen warenrücksendungen und bestellungen entdecken Google libros haz búsquedas en el mayor catálogo de libros completos del mundo mi colección editores información privacidad términos ayuda información privacidad términos ayuda Revistas revista de musicología, vol xli, 2018, nº 2 santiago ruiz torres nueva luz sobre la interpretación de las cantigas de santa maría martin g cunningham sixteen catifas de santa maria with dotted rhythm maricarmen gómez muntané a propósito de la profesión de musicólogo versus la de documentalista francesc villanueva serrano a la honor e mostrar stado

Detalles del Libro

• Name: Sixteen Cantigas de Santa Maria: With Dotted Rhythm
  
• Autor: Martin G. Cunningham
  
• Categoria: Libros,Arte, cine y fotografía,Música
  
• Tamaño del archivo: 7 MB
  
• Tipos de archivo: PDF Document
  
• Idioma: Español
  
• Archivos de estado: AVAILABLE
  

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Journal contents revista de musicología, new issue now santiago ruiz torres nueva luz sobre la interpretación rítmica de las cantigas de santa maría cunningham, martin g sixteen cantigas de santa maria with dotted rhythm maricarmen gómez muntané a propósito de la profesión de musicólogo versus la de documentalista villanueva serrano, francesc a la honor e mostrar stado Revista de musicología 2018, vol 41, nº 2 dialnet nueva luz sobre la interpretación rítmica de las cantigas de santa maría santiago ruiz torres es reseña de sixteen cantigas de santa maria with dotted rhythm martin g cunningham imaginario musical en los libros de música impresos en españa en los siglos xv y xvi Revista de musicología revista de musicología director javier marín lópez, universidad de jaén comité científico juan carlos asensio, real conservatorio superior de música de madrid walter aaron clark, university of california, riverside maría gemberoustárroz, institución milá y fontanals csic, barcelona iván iglesias iglesias, universidad de valladolid tess knighton, icreainstitución milá y

Vol 41, no 2, juliodiciembre 2018 of revista de jstor nueva luz sobre la interpretación rítmica de las cantigas de santa maría pp 663670 sixteen cantigas de santa maria with dotted rhythm by cunninghammartin g review by santiago ruiz torres doi 10230726554768 imaginario musical en los libros de música impresos en españa en los siglos xv y xvi Cantigas santa maria abebooks alfonso x and the cantigas de santa maria a poetic biography by joseph f ocallaghan and a great selection of related books, art and collectibles available now at abebooks Revista de musicología de santa maría cunningham, martin g sixteen cantigas de santa maria with dotted rhythm ana garcía gonzález imaginario musical en los libros de música impresos en españa en los siglos xv y xvi